Rev. Dr. Liz Mosbo VerHage

Pastor. Professor. Consultant. Coach. Author. Wife & Mom.

The Pilgrim and His Lack of Progress

Rolling Stones is soon publishing their interview with Bono, a slice of the twenty-or-so hours that the writer spent with the lead singer of U2 this fall discussing music, art, family, the band, faith, and much more. I continue to learn from the poetry and transparency of Bono – as an artist, a human being, and a person of faith who’s honest about struggle and questions and the messy part of life. He says he’s writing a poem called “The Pilgrim and His Lack of Progress” – which, sanctification theories aside – is really actually very good theology. Relying on God and growing in Christ as a lifelong process, in the middle of suffering and despair, sometimes with others on the journey and sometimes alone, often circling back to the same basic questions that we started with and the same hunger for a better world – this resonates with me more than a progressive, achieving, cleaned-up faith where you follow the motions and know all the answers, but miss out on the dynamic questions that Paul found in freedom and the heart-wrenching aches that David found in passion. I think this is because I tried the ‘progressive’ model and was left empty inside, but no one else would have necessarily known that. Bono’s lyrics, and in many ways his life, encourage me toward this striving (‘I still haven’t found what I’m looking for’), for a better world and to better know and be anchored in God.

Here is an excerpt from Bono’s interview where he talks about evangelicals, splitting faith from actions, race, AIDS and politics, Greek, the Bible, his own failures, how Christians mis-represent the faith – many issues that I enjoy discussing. Here’s the full article as well (the below was taken from “an excerpt”) .

Jann S. Wenner interviewing Bono (Excerpted from RS 986, November 3, 2005)
Q. What draws you so deeply to Martin Luther King?

So now — cut to 1980. Irish rock group, who’ve been through the fire of a certain kind of revival, a Christian-type revival, go to America. Turn on the TV the night you arrive, and there’s all these people talking from the Scriptures. But they’re quite obviously raving lunatics. Suddenly you go, what’s this? And you change the channel. There’s another one. You change the channel, and there’s another secondhand-car salesman. You think, oh, my God. But their words sound so similar . . . to the words out of our mouths. So what happens? You learn to shut up. You say, whoa, what’s this going on? You go oddly still and quiet. If you talk like this around here, people will think you’re one of those. And you realize that these are the traders — as in t-r-a-d-e-r-s — in the temple.

Until you get to the black church, and you see that they have similar ideas. But their religion seems to be involved in social justice; the fight for equality. And a Rolling Stone journalist, Jim Henke, who has believed in you more than anyone up to this point, hands you a book called Let the Trumpet Sound — which is the biography of Dr. King. And it just changes your life.

Even though I’m a believer, I still find it really hard to be around other believers: They make me nervous, they make me twitch. I sorta watch my back. Except when I’m with the black church. I feel relaxed, feel at home; my kids — I can take them there; there’s singing, there’s music.

What is your religious belief today? What is your concept of God?

If I could put it simply, I would say that I believe there’s a force of love and logic in the world, a force of love and logic behind the universe. And I believe in the poetic genius of a creator who would choose to express such unfathomable power as a child born in “straw poverty”; i.e., the story of Christ makes sense to me.

How does it make sense?

As an artist, I see the poetry of it. It’s so brilliant. That this scale of creation, and the unfathomable universe, should describe itself in such vulnerability, as a child. That is mind-blowing to me. I guess that would make me a Christian. Although I don’t use the label, because it is so very hard to live up to. I feel like I’m the worst example of it, so I just kinda keep my mouth shut.

Do you pray or have any religious practices?

I try to take time out of every day, in prayer and meditation. I feel as at home in a Catholic cathedral as in a revival tent. I also have enormous respect for my friends who are atheists, most of whom are, and the courage it takes not to believe.

How big an influence is the Bible on your songwriting? How much do you draw on its imagery, its ideas?

It sustains me.

As a belief, or as a literary thing?

As a belief. These are hard subjects to talk about because you can sound like such a dickhead. I’m the sort of character who’s got to have an anchor. I want to be around immovable objects. I want to build my house on a rock, because even if the waters are not high around the house, I’m going to bring back a storm. I have that in me. So it’s sort of underpinning for me. I don’t read it as a historical book. I don’t read it as, “Well, that’s good advice.” I let it speak to me in other ways. They call it the rhema. It’s a hard word to translate from Greek, but it sort of means it changes in the moment you’re in. It seems to do that for me.

You’re saying it’s a living thing?

It’s a plumb line for me. In the Scriptures, it is self-described as a clear pool that you can see yourself in, to see where you’re at, if you’re still enough. I’m writing a poem at the moment called “The Pilgrim and His Lack of Progress.” I’m not sure I’m the best advertisement for this stuff.

What do you think of the evangelical movement that we see in the United States now?

I’m wary of faith outside of actions. I’m wary of religiosity that ignores the wider world. In 2001, only seven percent of evangelicals polled felt it incumbent upon themselves to respond to the AIDS emergency. This appalled me. I asked for meetings with as many church leaders as would have them with me. I used my background in the Scriptures to speak to them about the so-called leprosy of our age and how I felt Christ would respond to it. And they had better get to it quickly, or they would be very much on the other side of what God was doing in the world. Amazingly, they did respond. I couldn’t believe it. It almost ruined it for me — ’cause I love giving out about the church and Christianity. But they actually came through: Jesse Helms, you know, publicly repents for the way he thinks about AIDS.

I’ve started to see this community as a real resource in America. I have described them as “narrow-minded idealists.” If you can widen the aperture of that idealism, these people want to change the world. They want their lives to have meaning. And it’s one of the things that the Democratic Party has missed out on. You know, so much of the moral high ground in the past was Democratic: FDR, RFK, Cesar Chavez. Now I suppose it’s Hillary’s passion for cheaper medical care. And Teddy Kennedy, of course.

3 thoughts on “The Pilgrim and His Lack of Progress

  1. Too bad his organization has little to no understanding of evangelicals.

    I totally resonte with this statement: “Even though I’m a believer, I still find it really hard to be around other believers: They make me nervous, they make me twitch. I sorta watch my back.” Way to be Bono.

  2. If he comes out to talk to us in line later this week I’m going to tell him about the hunchbacks and top-down approach ; )

    This interview kept me up for an hour after I finished it last night…at 1am. The laid-bare honesty, about the songs, God, …I mean, I learned more about the utility of the MCA, PEPFAR, and the Global FUnd in 3 paragraphs than this whole year! It was just clear and true and THERE. I’m gonna bring it around to talks now…and probably buy a couple other copies just in case my copy gets worn out.

  3. Hols and Seth – you both are people who help teach me how to live into faith and be people who holistically live, believe, and take action in our world. Bono seems to point people to that too – I think that part of why he is so attractive to such a wide audience is that he says and lives things of faith in a way that is not judgmental, that is grounded in tradition and the Bible but is open to art, culture, etc. I think that much of the “emerging” church culture of late is responding to this need for more consistant, enfleshed, creative ways to live out faith. Thanks for being part of that!

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